Eddy Toussaint Biography

Edouard (Eddy) Toussaint was a dancer, instructor, choreographer, and creative director in addition to being all of those things. Edouard Toussaint, also known as “Eddy” (b at Port-au-Prince, Haiti 27 Dec 1945). Eddy Toussaint was the leader of a dance group located in Montréal that was well-known for its approachability as well as the audacity of Toussaint’s choreography from the middle of the 1970s until the middle of the 1980s. This role lasted from the middle of the 1970s until the middle of the 1980s. Toussaint received his early training in ballet in Haiti from Lavinia Williams. The family moved to Montréal in 1957, at which time Toussaint began his professional career. In addition to earning two bachelor’s degrees – one in teaching from the Université de Montréal in 1973 and another in physical education with a dance major from the Université de Québec à Montréal in 1975 – he studied classical and jazz dance in Montréal with Eva von Genscy and Zeda Zare, in New York with Matt Mattox and Luigi, and in Paris with Janine Charrat, Yvette Chauviré, Roland Petit, and Rosella Hightower. Both of his bachelor Every single one of these teachers

 

 

Eddy Career

The early jazz work that Eddy Toussaint did with the dancer Eva VON GENCSY led to an appointment for him in 1973 at the Banff School of Fine Arts, where he was both a dancer and a teacher. This was the beginning of Eddy Toussaint’s career as a jazz musician. Following his involvement in the formation of LES BALLETS JAZZ DE MONTRÉAL in 1972 alongside von Gencsy and Geneviève SALBAING, he severed ties with the band the following year. In 1974, he formed la Compagnie de danse Eddy Toussaint, a dance company that advanced its focus on popular culture by drawing inspiration from a range of dance genres. This was done in order to enhance the company’s mission. The organization operated its very own school, which had a total of seven hundred employees and their dependents enrolled. He proceeded to pursue his own profession as a dancer all the way up until 1978, during which time he appeared on a variety of various television shows. During the same time period, he was also a member of the board of directors for the Québec section of the Féderation des Loisirs de dance, which is an organization that is responsible for the regulation of recreational dance.

Eddy Toussaint is credited for developing a style of choreography in the 1970s that was acrobatic, sensual, and intended to be anti-intellectual. This was in line with his frequently expressed conviction that stage dance should both stimulate its audience as well as entertain them. In the late 1970s, he surprised his audience by adopting a style that was more balletic. This was influenced in part by the five years of intensive schooling he received from ballet mistress Camila Malashenko, and in part by the funding policies of the Canada Council, which favored ballet and experimental dance. Toussaint based a big portion of his new image on the well-known dancing couple Louis ROBITAILLE and Anik BISSONNETTE. This duo had been fostered by Toussaint’s school and company, and they had gained a cult following in Québec as a result of their work.

 

Company Achievements

In 1975, the government of Haiti sent an invitation to the group and asked them to put on a series of performances at the Théatre Triomphe in Port-au-Prince. The very first formal performance ever held in Montreal took place at a venue known as the Théatre du Nouveau-Monde.

The company’s performance in the Olympic Games in 1976 included one of Toussaint’s pieces called Damballah, which he had choreographed. This year, the business was also highlighted on several television series, and that’s not even mentioning the fact that their very first performance series at Place-Des-Arts was a complete success and all of the tickets were sold out.

In 1978, the group embarked on a tour that took them to 21 different cities within the province of Quebec, in addition to two months of touring in South America and the Caribbean. This was a golden year for the company, as not only Toussaint’s Rhythm et Pas but also the Module 2027 were televised on Radio-Canada.

During that year, the company also received contributions from Michal Denard and Mr. Arnold Spohr, who are both the creative director of the Royal Winnipeg Ballet and the American Ballet Theatre, respectively (principal dancer with the Paris Opera Ballet).

The company had previously given performances at Place-Des-Arts in 1979 of two of Toussaint’s most well-known ballets: Alexis Le Trotteur (which had been choreographed the year before), and Rose Latulipe, which were both based on the folklore of Quebec. Both of these ballets were based on the folklore of Quebec. Each the Quebec City Summer Festival and the Complex LG2 of Baie-James are new venues for the organization, and this year marks their debut appearances at both of these events.

The company continued to travel internationally throughout 1980, making stops in Haiti, Martinique, and Mexico in addition to numerous locations in Canada (including Quebec, Ontario, and the Maritimes) (inaugurating the International Arts Festival in San Luis de Potosi). Even the company’s two biggest stars, Louis Robitaille and Jean-Marc Lebeau, were asked to participate in the production of Stravinsky’s “Firebird,” which went on to win a number of highly significant accolades, including an Emmy Award.

The firm resumed its journey across Canada and Haiti in 1981, and it also made a stop in Guadalupe for the very first time during that year. All of these locations were in Mexico. However, history was created when the Ballet Eddy Toussaint became the first dance group in the history of the world to ever perform inside the White House in Washington, District of Columbia. In addition, dancers from the company were invited to take leading roles in the productions of the Ballet d’Avignon. Toussaint was ecstatic when he learned that the company would be performing at a gala in the St. Denis Theatre for the Prime Minister of Quebec, René Lévesque. The gala was being hosted in honor of the St. Denis Theatre’s 50th anniversary.

In 1982, the band embarks on an unprecedented number of tours and plays an unprecedented number of gigs than in any previous year. They continue their never-ending tour schedule in Canada while also spending a combined total of two months performing in France and Belgium. In addition, the Colombian government has given an invitation to the company to take part in the inauguration of the brand new Teatro Municipal Amira de la Rosa in Colombia. This offer was extended by the Colombian government to the company.

After that, in 1983, the band embarked on an extensive tour throughout the province of Alberta. Unfortunately, Mr. Toussaint passed away in the same year that he was posthumously bestowed the title of Great Montrealer. In addition to this, the company appeared at the Théâtre des iles de Montréal a total of fifty times during their tenure there.

During their tour in 1984, the band stopped at the states of Texas and Louisiana, both of which are located in the United States. Toussaint sent his dancers to the International Ballet Competition in Helsinki, Finland in 1984, which resulted in him winning the gold medal for Best Choreography with his piece Un Simple Moment, competing against other renowned choreographers such as Roland Petit, Maurice Béjart, Norbert Vesak, and Jiri Kylian. Toussaint created the piece titled “Les Valses,” which was featured on Radio-“Les Canada’s Beaux Dimanches.” This year As a result, 1984 became an unforgettable year for the organization. The choreographers Lewis Furey and Leonard Cohen invited dancers such as Bissonnette and Robitaille to participate in their film “Night Magic,” which was developed by Leonard Cohen and Lewis Furey. The film featured choreography that was set by Carole Laure and choreographed by Toussaint. Toussaint was responsible for the choreography. Because of this, the name Toussaint became more well-known and held in higher esteem.

The company’s traveling engagements continued their rising trend in 1985, making it a banner year for the company’s touring engagements. They embarked on a tour that took them to twenty towns in the United States, two provinces in Canada (Quebec and Alberta), and three cities in Europe (London, Brussels, and Paris). This year, Toussaint produced one of his masterpieces titled “Requiem,” and the Roy Thomson Hall in Toronto played host to the very first performance of it anywhere in the globe. In addition, throughout the course of the same year, the organization participated in the Spoleto Festival that was held in Charleston, South Carolina.

In 1986, the Toulouse Opera Ballet extended an invitation to the company to perform Hommage à Eddy Toussaint, which was a two-week season consisted completely of choreography developed by Toussaint. The season was titled “Hommage à Eddy Toussaint” and took place in Toulouse, France. In addition, that same year, Bissonnette and Robitaille were asked to perform “Un Simple Moment” once more at the Spoleto Festival, which was celebrating its 75th year in its namesake city of Spoleto, Italy. In addition, Toussaint’s Requiem was presented live for the very first time in the Place des Arts de Montréal in Montreal.

 

Company Relocates to Florida

In 1987, the state of Florida extended an invitation to the corporation, allowing the state’s administration to make it possible for the company to establish its permanent winter headquarters in Florida. Not only did this year witness the birth of Toussaint’s very own futuristic Nutcracker, but it was also the year that saw the production of New World Symphony, which added yet another masterpiece to Toussaint’s catalog of work. The company dancers Bissonnette and Robitaille were invited overseas once again, but this time it was to perform in the Gala of Stars alongside Mikhail Baryshnikov. This year was a watershed moment for both the École de Danse Eddy Toussaint and the partnership with M. Jean-Marc Lebeau, a company dancer and assistant director, was introduced by Origène Voisine to open the Option Danse program with the Collège Jean-Eudes. Jean-Marc Lebeau is responsible for launching the courses of this program for young people. In addition, the Option Danse program at the Collège Jean-Eudes officially started its first year of operation during this academic year.

In 1988, the company celebrated the occasion of its 15th anniversary by hosting an excellent banquet. The event was arranged in honor of the occasion. As a result of the recent success that Toussaint and his company have experienced on a global scale, Toussaint was in a position to negotiate an exchange of his dancers to perform with the Odessa Ballet in Ukraine. In addition, Rudolf Nureyev would join his group in performing at the Festival International de Lanaudière this year if Mr. Toussaint gave his okay for the collaboration. The location of the company’s headquarters remained in the state of Florida throughout.

In the year 1990, the company formerly known as the Ballet Eddy Toussaint became known as the Sarasota Ballet of Florida. Mr. Toussaint moved his dance company to Florida, taking with him his staff, costumes, and sets, in addition to his many years of experience in the field. There, he devised a one-of-a-kind program for youngsters who were deprived of the same possibilities as other children and gave it the catchy name Dance…Next Generation. Through participation in this program, which spans an instructional period of eight years, from the elementary school level all the way up to the university level, young people have the opportunity to continue their academic studies while simultaneously obtaining training in classical dance. The program could not have been established without the cooperation of the University of South Florida. The Vaganova technique of teaching ballet, which was developed in Russia, is used in this school’s ballet classes. It is well known for producing dancers of a high standard, many of whom have gone on to work for prestigious dance organizations such as the National Ballet of Canada, the English National Ballet, Alvin Ailey Dance Theater, and a huge number of other dance companies all over the world.

 

Return To Canada

Mr. Toussaint has returned to his role within the artistic community in Canada after having worked previously in Russia, the Czech Republic, and the United States. This occurs as a result of the fact that he formerly resided in Montreal. In September of 2011, the brand new company was inaugurated at Places des Arts, the most significant cultural centre in the city of Montreal. Places des Arts was the venue for the event.

Following his return to Quebec, the company embarked on a tour that took them not only across the United States but also across international borders, stopping in Mexico as well as the United States.

In 2013, the École de Danse Eddy Toussaint reopened its doors and resumed its mission of teaching the art of classical dance to all members of the public, with a special emphasis on the instruction of the younger generations. With the final objective of training those students to dance professionally for the Ballet Eddy Toussaint, one of the most significant goals of the school is to educate its pupils to a level that is equivalent to that of a professional. This goal is one of the most important goals of the school.

In 2016, the Ballet Eddy Toussaint and its school relocated to Laval, Quebec, in order to access new parts of the market that had not previously been covered. This move was motivated by the need to expand the company’s customer base.

 

Controversy

Laval police made the announcement on Friday that renowned choreographer Eddy Toussaint is facing a charge of sexual assault in connection with offenses that allegedly occurred between the years 2015 and 2017. Toussaint is also the director of a dance school in Laval that bears his name and was one of the co-founders of Ballets Jazz Montréal. The charge is in connection with offenses that allegedly occurred between the years 2015 and 2017.